Development of motion pictures from their inception to the 1950's. Total of 54 hours lecture.

Survey of national and international film movements and developments from the 1950's to the present with special attention given to the influence of Hollywood studios and directors in the world of cinema, art and ideas. Total of 54 hours lecture.

Aesthetic and technical analysis of camera, lighting, sound, direction and structure in short and feature films with an emphasis on innovation. Total of 54 hours lecture.

Introduction to the theory, terminology, and practice of motion picture production. Includes the fundamental operation, function, and creative uses of cameras, audio recording equipment, and film editing systems; production, screenwriting, lighting, and audio mixing. Total of 36 hours lecture and 54 hours laboratory.

Continued study of motion picture production at the intermediate level. Filming using adjustable iris cameras with interchangeable lenses, recording dual-system sound, and editing using non-linear editing systems. Individual and group projects further develop various film forms. Total of 36 hours lecture, 54 hours laboratory.

Continued study and practice of motion picture production at the advanced level. Emphasis on the independent preproduction, pre-visualization, production, and post-production of a longer short film, incorporating use of professionally structured crew roles, set protocol, and using advanced technical choices to create sophisticated artistic film productions. Total of 36 hours lecture and 54 hours laboratory.

Introduction to the fundamental technical and aesthetic principles of motion picture photography. Practical training in the use of motion picture cameras. Introduction to image control through exposure, lighting, and selection of film, camera, lens, and filters. Examination of the cinematographer as a visual storyteller to develop a broader understanding of the balance between artist and technician. Examination of the different crew positions and processes of the camera, lighting, and grip crews. Total of 36 hours lecture and 54 hours laboratory.

Provides students on-the-job learning in a paid cinema position. Development of effective work habits, attitudes, and career awareness so as to enable students to become productive employees. Credit may be accrued at the rate of 0.5 to 8 units per semester. One unit of credit for each 75 hours of paid work experience.

Provides students on-the-job learning in an unpaid cinema position. Development of effective work habits, attitudes, and career awareness so as to enable students to become productive employees. Credit may be accrued at the rate of 0.5 to 8 units per semester. One unit of credit for each 60 hours of unpaid work experience.

Practical and aesthetic construction of motion pictures using the principles and techniques of computer based non-linear editing for film, video, and multimedia. Total of 36 hours lecture and 72 hours laboratory.

Advanced training and study of techniques and aesthetics in use of motion picture cameras and lighting equipment for those considering a professional career in cinematography. Deeper theoretical study of light and camera sensors inform development and practice of advanced lighting and camera techniques for both film and digital video. Introduction to specialized technologies and techniques including special effects cinematography and virtual production. Emphasis on the cinematographer’s role in scene creation based on script analysis, as well as overall visual design of an entire film. In-depth examination of the different crew positions of the camera crew combined with practical experience. Creation of work for professional portfolio. Total of 27 hours lecture and 81 hours laboratory.

Cinema Production/Filmmaking portfolio development, preparation and production for transfer to four year colleges or professional use. Advanced cinema production/filmmaking, in conception and execution. Development of professional presentation skills. Total of 36 hours lecture and 72 hours laboratory.

The practice, terminology, and underlying concepts of virtual production for film. Topics include previsualization, practical set design, basic camera operation and technique, integration with virtual backgrounds, and post-production. Course will also survey additional emerging technologies in cinema. Total of 36 hours lecture and 54 hours laboratory.

Advanced virtual production for film. Concentration on the roles of a virtual production crew, and integrating virtual backgrounds with camera motion in the production of short films. Course will offer hands-on opportunities to work with other emerging technologies. Total of 27 hours lecture and 81 hours laboratory.